M.J. AKBAR

 

 

 


 

Blog on Books, Current Affairs, Politics & More....

Biography | MJ Byline Blog | MJ Washington Post Blog | MJ Books | MJ Books & BB Reviews | Blood Brothers Book Launch | MJ Interviews & Book Excerpts
Other Book Reviews & Recommendations | RSS Guide | MJ - Eloquent Voice on Web
 | LETTERS | MJ PICS & Praise for Books

Bylines 

Books

Book Rec

Letters


M J Akbar: BIOGRAPHY

 
M.J.Akbar Blood Brothers
 

BLOOD BROTHERS: A FAMILY SAGA
BY M J AKBAR

Blood Brothers is M.J. Akbar’s amazing story of three generations of a Muslim family – based on his own – in Telinipara and how they deal with the fluctuating contours of Hindu-Muslim relations. 

Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis, poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love, trust and faith are continually tested by the cancer of riots. Incidents - conversion, circumcision, the arrival of plague or electricity - and a fascinating array of characters - the ultimate Brahmin, Rahmatullah's friend Girija Maharaj, the workers' leader Bauna Sardar, the storyteller Talat Mian, the poet-teacher Syed Ashfaque, the smiling mendicant, Burha Deewana, the sincere Sahib, Simon Hogg, and then the questioning, demanding third generation of the author and his friend Kamala - interlink into a narrative of social history as well as a powerful memoir. 

Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style are the most moving, as the author searches for hope amid raw wounds with a surgeon's scalpel

- The Asian Age

 

“A skilfully crafted family saga down three generations packed with information of events in the country and the world, particularly changing Hindu-Muslim relations. It could be a textbook on how to write, mix fact, fiction and history. It is beautifully written; it deserves to be in
Category A1.”
Khushwant Singh
Author & Historian
 
“I enjoyed M.J.Akbar’s Blood Brothers [as though it were] my own biography... It is an exquisitely written narrative of truth disguised in fiction and ends on a note that is deeply moving and unforgettable.”
Sunil Gangopadhyay
Pre-eminent Bengali novelist
 
“M.J. Akbar’s Blood Brothers is a marvellous work of history in the form of a deeply engaging story of a Muslim family in Bengal. The exploration of the complex interface between Muslims and Hindus over the last 150 years has the freshness of a first-person experience which it actually is. A work of considerable charm, grace and insight. A worthy companion to his earlier book shade of swords on the Islam/West encounter.”
Shyam Benegal
Renowned film-maker

 

E-mail the Author : mjakbar@mjakbar.org
E-mail your Reviews :
ilaxi@mjakbar.org

COVER2COVER: DNA

Journalism is a moving camera of the mind, says M J Akbar
- Anindita Sengupta 
Saturday, April 15, 2006 


Veteran journalist and author MJ Akbar spoke to DNA about his new book Blood Brothers: A Family Saga

Why the title Blood Brothers?

‘Blood Brothers’ is the theme of the book. We Hindus and Muslims are of the same blood and that is what lends pathos to the relationship. If we were not so close, the tragedy would not have been so great.

How long did it take from the time you conceived the book till the actual execution? 
With me, the idea or a concept germinates for a long time. There are false pregnancies and imaginary pregnancies. It is only when I am convinced of a genuine pregnancy that I actually plan the baby, in other words, structure the 
book. With this book, it was after the death of my parents that I realised an important story was getting lost. And that’s when I decided to pour my thoughts into the warmth of print.

In the book, your grandfather converts to Islam after he moves from Bihar to Bengal to escape famine. Was there a specific incident that led to the conversion?
The book has a chapter called ‘Conversion’ which discusses the impulses and motives behind the conversion.

Cultural tourism, politics, people — which of these affects your writing the most?
Life is interesting. It cannot be segregated into jagged pieces. My writing is an amalgamation of all these factors. It is also dependant on the context of what I am writing. There is no text without context. Journalism is a moving camera of the mind. It has an eye which is sharper than any camera.

The book explores fluctuating contours of Hindu-Muslim relations. Do you think Hindu-Muslim unity has a future or are we chasing an Utopian dream?
Why must it be an Utopian dream? If in a year, there are 10 days of violence, there are 355 days of peace. Those 355 days of peace are equally real.

As a global traveller, would you say Indians living abroad are more tolerant and appreciative of one another?
Sometimes it’s quite the opposite. Some of the worst fundamentalists within the country get their money from outside.

What is it about socio-political conflict at a macrocosmic level that directly impacts the dynamics of human relationships at a microcosmic level?
This is best explained through John Dunne, “No man is an island”.

D
o you think humour makes it easier for readers to digest human tragedy?
Not humour, as in ha-ha, but gentle wit, perhaps. It helps you treat the heaviness of knowledge lightly.

Do you have a favourite character in the book?
It is not important who I like. What is important is who you like in the book. Between fact and fiction, which one will survive eternity? Fiction is fact improved by the mind. The truth is untidy. Fiction is the essential truth.

Can we expect another book from you in the near future?
Is it wise to ask a mother who has just given birth about the next baby? Let me relax.

Do you have a message that you would like to share with readers?
Yes. Buy the book.


AUTHOR OF BLOOD BROTHERS : M J AKBAR
The Book is Launched in Delhi on Friday, 14th April by Roli Books. 

Interview of MJ Akbar as appeared in Today (High 5):
1. One living person you admire the most?
MJ: Actually, its a person whose work has often left me dismayed, but who in his senses could be anything but dazzled by the quality of his mind : Henry Kissinger
2. What is the quality you admire most in a woman?
MJ: Her selflessness, which no man can even begin to comprehend.
3. Who are your favorite writers?
MJ: P.G.Woodhouse, Agatha Christie, Shakespeare, conan Doyle and Rumi : all of them have this extraordinary genius of being, in every sentence, reader friendly.
4. What prompted you to write Blood Brothers, which is outside your normal genre?
MJ: It isn't just one thing. I have been living with this story for a lifetime. If you had asked who among the dead I admired most, I might have mentioned my Grandfather, who nearly died of starvation before he entered his teens and lived to create a family and community. My parents passed away a few years ago. Their story had to be told, if only because they lived by a unique commitment through porous walls of pain...but mainly because I decided that the time had come to tell it the way it was - frankly, truthfully - the experience of the Indian Muslim through three generations. 
5. How would you like to die?
MJ: Suddenly.



 
 

Book Launch : Blood Brothers 
Click for the Book in Italian

Google Ads

 

 
 

Members of this Blog:
M J AKBAR - ILAXI 


Translate Italian Search pages with Google Translate

Translate this Blog to
Read M J Bylines in Different Languages

This Blog is Powered by:
bloggerbut.gif (1386 bytes)

BLOOD BROTHERS BY M J AKBAR: INTERVIEWS & EXCERPTS
SEARCH M J AKBAR'S BOOKS IN GOOGLE BOOKS:


Search the full text of M J Akbar's books

 

My grandfather Prayaag : Excerpts

 Prayaag
 

My grandfather died while I was playing on his chest, that was my first stroke of luck. My elder aunt, dark, wise, hunched against her corner of the courtyard, promptly declared that his soul, seething with miracles, had passed into me.

My younger aunt, widowed, and a flitting presence at home because she was often possessed by raving spirits, promptly agreed. The motion, having been moved and affirmed, became established family fact.

I was about a year old, fat and indeterminate of face in the manner of babies with enough to eat. My grandfather was fond of me, possibly because I was not yet old enough to ask for money.

He was a miser. The thought of parting with cash wrought great misery upon his soul, now possibly transmigrated to me. He had his reasons. The most important one was that he nearly died of hunger when he was eleven.

Starvation is a slow fire that sucks life out in little bursts, leaving pockets of unlinked vacuum inside. Death comes when the points of emptiness suddenly coalesce; there is a silent implosion. The worst is in the beginning, when the body still has the energy to rebel and the mind enough hope to fear. When hope fades, fear evolves into a dazed weariness.

You turn numb, and it no longer matters whether you are alive or dead. Dadu, our affectionate term for grandfather, had drifted into that zone when a short bald man in a vest and a sarong, known locally as a lungi, shook his lifeless shoulders and offered him a thick home-baked biscuit softened in tea.

The escape from death began three days earlier in the Bihar village where he was born, near the squalid town of Buxar. The great moment in Buxar’s history had come about a hundred years earlier, when the splendidly colourful soldiers of the East India Company, led by Major Hector Munro, defeated the joint forces of the Emperor Shah Alam of Delhi, Nawab Mir Qasim of Bengal and Nawab Shuja ud Daulah of avadh on 16 August 1765.

Till that point, the East India Company was known as the English company. After Buxar, admirers renamed it Company Bahadur, or the Heroic Company. It was extraordinary how Indians became transformed when they switched sides: disciplined, unwavering under the command of the white man, and pathetic buffoons under the green and black-and-white standards of Muslim dynasties in decline.

One old man could still do a wondrous imitation, learnt from his forefathers, of a Mughal champion who swung his heavy sword in thin air so vigorously before battle that he was utterly exhausted when actual fighting began. He was fortunate. He survived. But why cast aspersions on a mere braggart? Most of his compatriots preferred to disappear rather than die, after an initial, very brief surge of heroics.

The white man passed into local legend: he stood his line against the charge, and left it only to go forward. The Muslims were high on bravado and short on bravery. They carried too much baggage around the waist: their bellies sagged with curry and sloth.

British rule was a welcome relief from gathering chaos. It took one lifespan for optimism to change to apprehension: British stability was soon interspersed with famine. The British were individually more honest than the Mughals, but collectively more greedy.

Taxes were too high, and their middlemen, the class known as zamindars, took pleasure in adding insult to extortion. The peasant did not have the surplus to resist a drought, so drought degenerated into famine. Fighting hunger became a full-time job. There was no much strength left to fight a government.

My grandfather lost his parents to a famine that started around 1870 and emptied his village within five years. Those who could, migrated. Some were shipped out by British merchants to plantations across the seven seas, in the West Indies or Mauritius or Fiji.

They were not called slaves since slavery had been abolished by Britain. They were given another name: Indentured labour. It was a polite term invented for similar conditions.

My grandfather was born a Hindu and named, rather grandly, Prayaag, after the confluence of the holy rivers, Ganga and Jamuna. The grandeur reflected his caste, for he was a Kshatriya, born of the arms of Brahma. His mother taught him his faith: the universe was once a dark vacuum, which the Eternal Creator injected with energy.

From energy emerged light, and then water. Water flowed from the Lord’s body, and in it the Lord’s semen. That semen turned into a golden egg brighter than the sun, from which, after one year, emerged Brahma, the originator of mankind. With the power of his thought, Brahma divided himself into two, and opposites were born: earth and sky, and the four directions.

He meditated and the “I” evolved, both the self and the senses. Brahma divided mankind into four castes to establish order: the Brahmin from his mouth, the Kshatriya from his arms, the Vaishyas from his thighs and the untouchable Sudras from his feet.

Famine had no caste. Funnily enough, famine was kinder to the Sudra than to the Brahmin, for the scum of the earth were familiar with hunger while the salt of the earth were not.

Prayaag had heard stories of the jute mills of Bengal from his father. The stories were told in driblets, as if to ease the pain as they watched their land slowly become sterile. They owned some four bighas; nothing substantial, but not worthless either.

They once lived comfortably on an income of about seven rupees a month, and he fondly remembered one year when the family income crossed one hundred rupees. Drought had reduced that to two rupees a month if not less, and that wretch of a rent-collector had sunk so low that he demanded taxes even from caste-brothers in a season of hunger.

Jute mills were the powerful engines of a new economy that swelled along the banks of the Hooghly, a tributary of the mighty Ganges that swung south and flowed through Calcutta on its way to the Bay of Bengal and the Indian Ocean.

Prayaag had heard that a new mill, named after the Great Queen of London, Victoria, had opened in a place called Telinipara. He knew an important landmark. The nearest railway station was not in British territory, but in Chandernagore, the French outpost in the east, some thirty miles upstream from Calcutta.

After cremating his father, the last in the family to die, Prayaag climbed onto a train and slept on the floor of the compartment. The ticket collector left him alone. Sleep was Prayaag’s only nourishment. It was dark when he got off at Chandernagore. Determination took him to his destination.

A long journey ended in a scrawl of mud roads beyond which lay the huge iron doors of the Victoria Jute Mill, a blur of green paint between thick walls.

He collapsed against a tin sheet. He was fortunate that the sheet was the door of a tea shop, and therefore opened at four in the morning, when a blast from the high chimney told workers to prepare for the first shift. He might or might not have survived till sunrise.

The owner of the tea shop, Wali Mohammad, like the ticket collector, was not demonstrative, but retained a stony sympathy for the wrecks of famine. He gave Prayaag a couple of baked biscuits, tea and a mat to sleep on before his wife, Diljan Bibi, fed him a meal of rice and dal. Then he gave Prayaag work, washing dishes.

Later, perhaps much later, whispers suggested that a street dog had sat beside my grandfather as he lay unconscious that night , and then barked to wake up Wali Mohammad a bit earlier than usual.

However, such stories are always told about those who succeed. But this much is true: There was always food at home for strays, and they romped through our lane like free children when grandfather was rich enough to build the first double-storied brick house in Telinipara, ten yards from that tea shop.

Blood Brothers — A FAmily Saga by M J Akbar
Published by Lotus-Roli
Rs 395

DREAMS

The ascent from poverty is through five cliffs: food, roof, marriage, wealth, esteem. On the first cliff, Prayaag kept his head up and eyes down.

His high cheekbones framed glowing, deep eyes; he knew his stare could be disconcerting, and therefore disrespectful to elders.

Wali Mohammad’s kindness was sustained by business instinct. Prayaag was the solution to a dilemma. Famine in Bihar had brought job-seekers to Telinipara, and with it the prospect of more customers. He did not have much to offer: tea, home-made biscuits and, for those with a taste for luxury, boiled eggs. But food was a sensitive matter to many Hindus. Some upper castes treated Muslims as yavana, or outsiders, the term originally used for Alexander’s Greeks when they invaded a centre of Hindu civilization, Taxila, and later applied to Muslims. All outsiders were mleccha, unclean. Hindus might happily converse with a Muslim, work with him, conspire with him, but not eat with him. But they might eat if served by a Hindu Kshatriya boy.

Prayaag was uninterested in reasons for his good fortune. He had found shelter, and a life. He did not expect money. Wali Mohammad was childless, and his wife, Diljan Bibi, grew fond of this quiet, intense boy. She had nursed him when he was dying, and began to believe that Prayaag was Allah’s answer to her prayers for a son. She would occasionally slip him a few cowrie shells to buy carrots or a mango in an abundant season; on some weekends she gave him as much as an anna, a sixteenth of a rupee. Life became comfortably routine. 

Victoria Jute Mill sat heavily on the western bank of the Hooghly, some thirty miles north of Calcutta, the political and industrial heart of the British Empire. On both sides of the river Scottish entrepreneurs were constructing massive factories to spin rich jute from Bengal’s fields into products like gunny bags. Victoria, the youngest child of Thomas Duff and Company (headquarters, Dundee), was protected by walls one foot thick and eight feet high on three sides, with the river marking the fourth boundary. The western gate opened towards a huge field, called the maidan, that separated Victoria from its sister, the Champdani Jute Mill.

Telinipara’s mud and thatch huts were spread randomly between the southern and eastern gates. Facilities were rudimentary. Water came from wells, and light from the sun. The jute mill continued production beyond sunset with the help of four-foot high gas-lit lamps that shed a heavy, white glow through the fluff of jute that floated like smog. Outside the factory, the darkness was occasionally disturbed by the flicker of a pallid wick placed in a dibiya, a small tin box filled with kerosene. The workers went to the further edge of the maidan, called the bhagar math, for their ablutions; and then to the river for a bath if they wanted to. Women needed the darkness. 

In winter the sun set by five; in summer by six; by eight or nine the day was over. It resumed at four in the morning, with a blast from the factory’s siren, attached to a towering brick chimney, so that sound and smoke gushed out in atonal harmony. Prayaag generally woke up half an hour earlier to get the shop ready for the first customers. Workers sipped tea from small earthen cups, and sometimes slipped a thick biscuit into the top knot of their lungi, to eat later. Those privileged enough to get credit from Wali Mohammad chalked a white mark on a slate to confirm their purchase. Accounts were settled every Saturday, on payday. Occasionally disputes arose, but Wali Mohammad’s reputation for honesty was rock-solid. He would not serve a defaulter until accounts had been settled, and he could sit for hours outside a difficult debtor’s home moaning for his money. 

Prayaag got his one break for laughter on Saturday evenings, when the weekly fair, or haat, gathered on the sprawling Victoria maidan. The open expanse and cool river breeze made this haat an epicentre for workers from half a dozen jute mill colonies on either side of the river: Shamnugur, Gondalpara, Angus, Titaghur, Champdani, Kankinara. Women gossiped around stalls full of ribbons and bangles. Men enjoyed the preening of wrestlers as they challenged known and unknown foes.

 
Author traces roots of Hindu-Muslim ties 

The Pioneer
New Delhi, 17 April 2006

History can disappear in a paragraph’
- Shana Maria Verghis

A state of neither elation, nor anger is a good base to write a book. Because you need calm to see beyond prejudices, says MJ Akbar, editor and author. ?After my parents died years ago, I thought it important to put the story down. And wrote it drained of all passion?

His novel Blood Brothers is a family saga based loosely on the life of Prayaag, his paternal grandfather, a Bihari Hindu, who migrated to Bengal, fleeing the famine.

Prayaag was taken in by a Muslim family. He converted, was circumcised, married a Muslim girl and became a successful businessman. The book splices fragments from history pre and post-1857. Wajid Ali Shah's excesses, selling out to the British, growth of Deoband Muslims, cholera epidemics to Partition, discussions on Urdu, Jawaharlal Nehru's death.  

Concluding in the late 60s, the book covers three generations of a Muslim family living in a jute mill town called Telinipara. 

Akbar says, I’ve known this story all my life. .rom tales told by aunts, myths and memories.?

Your choice of language is very lucid...

The merit of narrative fiction is craft and enables you to communicate through the use of right words. Rather than write for yourself. It's alright for James Joyce, but my objective is to include the reader in the story. There is a line from Ghalib in the book explaining this credo.The poet does not discover truth on my behalf. He deftly draws strokes on a page and leaves me to complete the portrait, for in the unwritten lies the reader's freedom.

The chapters are a series of vignettes...

The anecdotes are a metaphor for larger stories of Indian Muslims in a kasbah. About causes and consequences of how in the same street, history forces itself. A street where people want to observe Id, work, draw salaries, get out of poverty and don't want history.

Were you close to your grandfather? 
He established a sense of memory in the family through friendship. The only distinction we had with Hindus was of faith. This was true for everyone in those days. Now with ghettoism, we live separately and have stopped understanding joys and pleasures of others. A festival like Muharram used to be a common pageant. It was meant to remind us of injustice which affects both Hindus and Muslims. Of course women would walk under tazias.

What was the inherited legacy? 

A belief system passed on to my father. Attachment to soil.
Since the book looks at Indian Muslims, we are going to ask a cliche question about ?clash of civilisations?

No such thing exists. In fact, Huntingdon quoted me in the original essay, where I spoke of a clash of colonisation, as opposed to clash of civilisation. At moments of change, a familiar metaphor used is the image of a storm. Leaves flying in the breeze. That was how Gandhi described communal violence. We measure history in timespans. But it can disappear in paragraphs. We are in the process of evolution. Of creating a modern state. The notion of this ideal is in conflict with reality. To find solutions is the search of a lifetime.

You constantly revert to history... 

I had to go back to see where to depart from. .or reference points on human behaviour. Its dignity, joys, brief timespans. Instead of moving towards elimination of what was necessary in the 1950s. Not at the same point of what happened to Dalits. That was horrible, though some termed it positive discrimination. Good is ending discrimination, not institutionalising it.

What is the role of Muslim leaders? 

What is a Muslim leader? A leader of Muslims does not become a Muslim leader. Lalu will serve anyone of interest to him. Bengalis voted in favour of CP(M), the godless believers. Kerala for the Left. These are healthy signs. As for Hindutva, each idea peaks, lasts itself, then strengthens or weakness.

What is your writing method?

I let an idea germinate, then get confidence to write if I like it. I knew the beginning and end of Blood Brothers before I started.

What language do you think in? 

In weaker moments, Hindustani and English.

Writers you admire?

My professor at Presidency College. I refer to him in the book. I admire the sibilants and sounds of Milton. I have read Book II of Paradise Lost. I also enjoy Shakespeare and Urdu poetry. You can?t use it in book-keeping though. Or it may have been the language for commerce

INDIAN TOP 10 BESTSELLERS:NON-FICTION
3. Delhi: A Thousand Years of Building By Lucy Peck Lotus Roli, Rs 500
6. Blood Brothers: A Family Saga By M.J. Akbar Lotus Roli, 
Rs 395
First Week of its launch
1. Blood Brothers: A Family Saga by M J Akbar 
First & second week of May 2006
(Source: Bahri Sons, New Delhi)

M J AKBAR'S
POWERFUL AND COMPELLING HISTORY
AS FAMILY NARRATIVE

More Reviews from Pak Newspapers Here...

 

POLITICS & WAR BOOKS

Cobra II by Michael R. Gordon

The inside story of the Invasion & Occupation of Iraq. Well-written, thought provoking even if not always in agreement

BOOK RECOMMENDATIONS

Read Reviews Here

     

Copyright © 2007  M J Akbar.  All rights Reserved | Biography  | Home

Ask MJ Akbar 
Feel free to send E-mails or Post your comments on Bylines Posts.
Send your reviews on Books, comments on War Pages, Your concerns, etc.
Anything you wish to communicate to MJ Akbar. 
He doesn't always have the opportunity to reply to everything, but he certainly reads it all! 
(E-mails Without Attachments, please!)

M J Akbar
E-MAIL: mjakbar@mjakbar.org / ilaxi@mjakbar.org

Did you like this Blog of MJ Akbar? Send
me your comments, suggestions, etc. Bouquets or Brickbats please:-)

M.J. AKBAR'S BLOG : Edited & Brought to You By Ilaxi (Official Blogger for MJ Akbar)
Kidsfreesouls.com - Newspaper for Kids with Resources for Parents & Teachers

Started on September 28, 2004. We are Thankful to our Readers, supporters and well wishers |
Best viewed in 1024 by 768 Screen Resolution